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    Open a larger version of the following image in a popup: Yasuhisa Kohyama, Ceramic 42, 2006
    Open a larger version of the following image in a popup: Yasuhisa Kohyama, Ceramic 42, 2006
    Open a larger version of the following image in a popup: Yasuhisa Kohyama, Ceramic 42, 2006
    Open a larger version of the following image in a popup: Yasuhisa Kohyama, Ceramic 42, 2006
    Open a larger version of the following image in a popup: Yasuhisa Kohyama, Ceramic 42, 2006

    Yasuhisa Kohyama

    Ceramic 42, 2006
    ceramic
    17.3" x 15.8" x 6.1"
    42yk
    Photo: Tom Grotta
    $ 10,000.00
    Enquire
    %3Cdiv%20class%3D%22artist%22%3EYasuhisa%20Kohyama%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ECeramic%2042%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2006%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eceramic%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E17.3%22%20x%2015.8%22%20x%206.1%22%3C/div%3E

    Further images

    • (View a larger image of thumbnail 1 ) Yasuhisa Kohyama, Ceramic 42, 2006
    • (View a larger image of thumbnail 2 ) Yasuhisa Kohyama, Ceramic 42, 2006
    • (View a larger image of thumbnail 3 ) Yasuhisa Kohyama, Ceramic 42, 2006
    • (View a larger image of thumbnail 4 ) Yasuhisa Kohyama, Ceramic 42, 2006
    • (View a larger image of thumbnail 5 ) Yasuhisa Kohyama, Ceramic 42, 2006
    Yasuhisa Kohyama shapes his asymmetrical forms using piano wire, creating distinctive rough surfaces. The clay with its feldspar nuggets creates a tactile quality rarely seen in contemporary work. No glaze...
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    Yasuhisa Kohyama shapes his asymmetrical forms using piano wire, creating distinctive rough surfaces. The clay with its feldspar nuggets creates a tactile quality rarely seen in contemporary work. No glaze is used, but the wood ash and placement in the kiln produces an extraordinary range of colors and shading on the surface.

    The artist's masterful ceramics are inspired by ancient Shigaraki, Jomon and Yayoi from Japan. He played an important role in reviving the use of the traditional Japanese anagama wood-fired oven. He was the first potter in the region to build such a kiln since the Middle Ages. Using the distinctive Shigaraki clay and a wood-fired oven, he created modern, vigorous and new ceramic vessels and sculptures, but of timeless beauty.
    Close full details

    Exhibitions

    Japandi: shared aesthetics and influences

    Publications

    Japandi: shared aesthetics and influences Catalog
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    Related artworks
    • Yasuhisa Kohyama, Sai, 2011
      Yasuhisa Kohyama, Sai, 2011
    • Yasuhisa Kohyama, Ceramic 32, 1999
      Yasuhisa Kohyama, Ceramic 32, 1999
    • Yasuhisa Kohyama, Suemono, 2011
      Yasuhisa Kohyama, Suemono, 2011
    • Yasuhisa Kohyama, Ceramic 53 - Hajibito, 1991
      Yasuhisa Kohyama, Ceramic 53 - Hajibito, 1991
    • Yasuhisa Kohyama, Ceramic 13, 2001
      Yasuhisa Kohyama, Ceramic 13, 2001
    • Yasuhisa Kohyama, Danpen, 2016
      Yasuhisa Kohyama, Danpen, 2016
    • Yasuhisa Kohyama, Ceramic 11, 2001
      Yasuhisa Kohyama, Ceramic 11, 2001
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