Danish artist Grethe Wittrock’s work includes expanses of twisted paper strands in single colors — minimal and simple yet powerful expressions of what Finnish Designer Alvar Aalto called “the language of materials.” Wittrock observed the similar appreciation for minimalism firsthand when she traveled to Japan and studied with Japanese paper makers and renowned indigo dyer, Shihoko Fukomoto. “I started to uncover what Nordic sensibilities are by living abroad,” Wittrock says. “I lived in Kyoto, and saw an aesthetic in Japanese design similar to the Nordic tradition. You could say that there is an agreement that less is more. As they say in the Nordic countries ‘even less is even more.’”

Using ancient techniques to create contemporary work, Wittrock’s meditative process of repetition allows her to create simple, strong, poetic works of art.

She handweaves, knots and braids thousands of strings of silk, gold and paper yarn, custom dyed in Japan. “[Textiles’] softness and flexibility and the way you can shape it, either as a fabric or a yarn, appealed to me,” Wittrock says. “Structures, texture and surfaces are essential to my work and textile can play these roles.” Wittrock’s work has been exhibited through-out the world in cities such as Copenhagen, London, Munich, Hong-Kong, Paris, Sao Paolo and Kyoto. She has won numerous international awards and in 2001 she received a prestigious three-year grant from the Danish Art Foundation. During the 1990s she produced a paper-based clothing line and large-scale commission works for companies and institutions.