browngrotta arts
Skip to main content
  • Menu
  • Viewing Room
  • Artworks
Facebook, opens in a new tab.
Twitter, opens in a new tab.
Youtube, opens in a new tab.
Instagram, opens in a new tab.
Artsy, opens in a new tab.
1stdibs, opens in a new tab.
Facebook, opens in a new tab.
Twitter, opens in a new tab.
Youtube, opens in a new tab.
Instagram, opens in a new tab.
Artsy, opens in a new tab.
1stdibs, opens in a new tab.
Menu

Artworks

Open a larger version of the following image in a popup: Tamiko Kawata, Unknown Creature 50, 2018
Open a larger version of the following image in a popup: Tamiko Kawata, Unknown Creature 50, 2018

Tamiko Kawata

Unknown Creature 50, 2018
Silver safety pins
13" x 13" x 6"
35tk
Photo: Tom Grotta
$ 7,000.00
Enquire
%3Cdiv%20class%3D%22artist%22%3ETamiko%20Kawata%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EUnknown%20Creature%2050%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2018%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ESilver%20safety%20pins%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E13%22%20x%2013%22%20x%206%22%3C/div%3E

Further images

  • (View a larger image of thumbnail 1 ) Thumbnail of additional image
  • (View a larger image of thumbnail 2 ) Thumbnail of additional image
Discarded materials are important to Tamiko Kawata, not only for environmental issues but also to reflect her current life. Her choice of materials and interpretation are influenced by the differences...
Read more
Discarded materials are important to Tamiko Kawata, not only for environmental issues but also to reflect her current life. Her choice of materials and interpretation are influenced by the differences experiences between life in America and Japan where she grew up.

“Safety pins function variously as thread, yarn, clay or truss in my work process. I found them soon after I arrived from Japan, out of the necessity to shorten all-too-long American clothing. I noticed their smooth texture and their head- and tail-like details. In the beginning, I found ways to interlock them, as if weaving. I found constructing systems as I went along, using only the inherent structural properties of the pins, and now can create anything from “drawings” to three-dimensional, self-standing works.”
Close full details

Exhibitions

Japandi: shared aesthetics and influences 


Publications

Japandi: shared aesthetics and influences Catalog


Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Previous
|
Next
75 
of  276
Related artworks
  • Tamiko Kawata, Silver Sphere, 2004
    Tamiko Kawata, Silver Sphere, 2004
  • Tamiko Kawata, Permutation 7, 2017
    Tamiko Kawata, Permutation 7, 2017
  • Tamiko Kawata, Sea Anemone, 2012-14
    Tamiko Kawata, Sea Anemone, 2012-14
  • Tamiko Kawata, Cactus, 2013
    Tamiko Kawata, Cactus, 2013
  • Tamiko Kawata, Grove, 2020
    Tamiko Kawata, Grove, 2020
  • Tamiko Kawata, Green Blue Screen One, 2018-19
    Tamiko Kawata, Green Blue Screen One, 2018-19
Manage cookies
Copyright © 2025 browngrotta arts
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences